SBell Photography - Steve Bell
Steve Bell Diary
 

musings from steve bell

Welcome to the new SBell Photography! I created this section to share some of my insights into the world of photography, highlights from top photography conferences and trade shows, lessons I have learned and maybe even a few mistakes I have made along the way. I wanted to share with you some of my inspirations: emerging photographers, bands, videos, books and magazines - as well as the very talented models, hair & make-up artists, art directors and fashion companies I have met and worked with. I plan on keeping you informed on what's happening with me and hopefully at least a little entertained at the same time. Hope you check back often to see what is happening with Steve Bell & SBell Photography!

7.16.09
 
 

SBell Photography part of dripbook community

We've been quietly working away here at SBell Photography. Just secured a few contracts to shoot web and lookbook shots for a few more boutique clothing lines which is very exciting! So stay tuned for some great updates coming soon. Also, been putting my construction skills to play with a few set designs that are slightly more on the elaborate side. So far they have tested well so I'm looking forward to model casting and finding the perfect clothing for each of the shots. Definitely lots of good stuff in the works.

I am also proud to announce the SBell Photogrpahy was approved to be part of the dripbook community. You can view our page at http://dripbook.com/sbellphotography

Stay tuned for what looks to be a busy, but fantastic summer!

DripBook Site
http://dripbook.com/sbellphotography
5.05.09
 
 

The business of fashion photography

With the economic downturn affecting everything we see, hear and do, it is almost impossible to decouple business and art.  As a fashion photographer with an MBA in my bag, the marriage of photography and business has always been at the forefront of my vision and goals. 

There are many elements to business within the photographic realm and it would take volumes to even attempt to cover them all.  But fresh off my lookbook shoot for Thrive, I thought I might give my insight into the job of a high fashion photographer with respect to helping create a successful clothing line.

In an ideal creative world, artists would have free reign to explore their canvases.  Painters could just paint, writers could just write, musicians could just play and photographers could just shoot.  These acts are essential from not only a creative exploration standpoint but also as a way of portraying your skills and unique point of view. 

These are the reasons you are hired and you should always stay true to your vision.  But when working with a clothing line on a lookbook shoot, an agency on an advertising campaign, a development company for a product shoot… the key to success is finding a way to stay true to your vision while enhancing their vision.  As they say, listen first, shoot second.  (Not exactly sure who says that but if they don’t, I will.) 

Find out what their vision is and they absolutely have one.  If they are unable to articulate it, it is your job as the photographer or designer to help bring it out through asking the right questions, providing samples, test shoots, story boards...etc.  Stay open and flexible to your ideas throughout the planning and photographic process.  Create and maintain a truly collaborative environment with the clothing line, agency, stylist, hair/make-up artist and model. 

A shoot ultimately can only be successful if in the long-run it helps the company be more successful.  And their success is the key to your success – assuming you like to be rehired.  :)   Listen first, shoot second.

Sample Lookbook Shot
Sample Thrive Lookbook Shot
4.05.09
 
 

SBell Photography featured on Design Slices

Well, I have gone awhile in between entries as I have been quite busy with finishing up the thrive lookbook and web update, starting my couture bridal contest and a few other miscellaneous web and photo projects. The glamourus, feast or famine life of a freelance photographer / graphic artist. :)

But, I did want to take a moment to share that SBell Photography was featured on Design Slices - a website for top photographers, graphic artists and designers. It was an honor to be featured with top photographers such as Steven Meisel, Paola Kudacki, and others . You can see the posting at www.designslices.com.

SBell Photography On Design Slices
SBell Photography on DesignSlices.com
3.26.09
 
 

Speedlites Saved My Life (Well At Least My Shoot)

In my last entry I breezed over owning a few speedlites (580EX and 430EX) in the “not sure if anyone cares about this stuff” section of my gear entry before being able to talk about my big, bad and beautiful Profoto studio lights. I’m a big fan of the Strobist and Joe McNally and have been to seminars/conferences for both of them – and will say that I appreciate my speedlites and use them effectively when I need to.  But, right or wrong, they are typically my last resort.  It’s funny how at the most important times, it seems like the last resort is the only one you’ve got…

This past week I shot one of my biggest jobs to date – the Thrive autumn/winter look book collection.  Beautiful clothes, a fantastic model (Sarah Deanna) and the most incredible old warehouse, that just so happened to be without running water or power. My first thought was to bring in a generator and my Profoto lights and problem solved. But then after seeing how beautiful the window light was around the warehouse and all the wonderful places to shoot, I quickly realized that my “last resort” speedlites were going to be exactly what the job needed.  Armed with 3 flashes, a number of shoot through and silver reflective umbrellas and some diy snoots, I’m proud to say we pulled off some fantastic lighting in a quick, efficient, easily transportable and power free (well, battery powered) manner.  

If you are a photographer and have not embraced speedlites fully (until last week not sure even I had) do it.  The Strobist (strobist.blogspot.com) is a tremendous resource. If you a’re not a photographer, whatever field you are in, do not lose sight of those “last resort” tools in your arsenal because one day your whole reputation might rely on them.  



SpeedLite Setup
Speedlites to the rescue
 
3.13.09
 
What's in my bag...

You've seen my shots, so thought I'd share with you how I shot them. My arsenal includes a Canon 5D (perhaps sometime this year will be a 5D Mark II) and a Canon 50D and love them both. For glass, I usually have the 24-70mm 2.8 and 70-200mm 2.8 lenses locked in because of their versatility and the beautiful images they produce. For more specialty shots I have the 16-35mm 2.8, the 85mm 1.2 and the 100mm 2.8 macro. My wish list includes the 50mm 1.2 - although I have a sneaking suspicion at this point that lens may come bundled with a divorce. Just kidding of course - my wife is very supportive and would probably only roll her eyes at me - but it's good to have a wish list so for the time being, that's where that lens will sit along with my perhaps one day 5D Mark II.

To round out the collection, I have 580EX and 430EX flashes, use SanDisk memory cards (if anyone really cared about that) and plenty of miscellaneous light modifiers - some purchased and some diy projects.

In the studio I have Profoto lights and modifiers as well as Westcott soft boxes - triggered with the always reliable, industry-standard pocket wizards.

So to summarize, photo bag is full, wallet is empty. Well, not really. :)



SBell Photography Equipment
SBell Photography Gear
 
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